- Starts with a black background with the credits in white and a tension building soundtrack in the background - a simple but effective way to build tension.
- Through the showing of the credits the background gradually changes to a dark blue colour which is eventually identified as the night sky.
- Music soundtrack is then blended with a diagetic sound - which is a radio news report.
- Then a subtitle is shown which immediately states where and when you are.
- On the same dark blue background (night sky) a car drives across the screen.
- A above shot is then used as the car drives towards the camera.
- A close-up of the people who are in the car from the front windscreen.
- This immediately becomes a car chase which involves this car and a police car.
- The people in the car get out and run away and one of them is caught.
- A shot of the other man running across the screen.
- White light fills the screen.
- Immediately cuts to a crime scene with a torch close-up on writing.
- Close-up of a man/policeman in a car.
- Close-up of some photographs.
- Cuts to a group of men/policemen in a room discussing something or possibly a crime that is linked to the men in the first scene.
- Shot and reverse shot are used when the men are conversing with each other to show the person who is talking at each time.
- Cuts to men waiting for a lift and then conversing with another man that could be involved in what they are discussing.
- Another cut to some men in an office or factory workshop with close-ups of peoples faces.
- Over-the-shoulder and reverse shots are used frequently used in this scene whilst the men are conversing.
The Third Man - Opening credits
- Zoom in of a string instrument with the titles running over the top. (unusual and different use of the vertical/horizontal line device that is often used)
- Archive, location and film footage is used and mixed together with a first person narrator setting the scene of the time it is set.
- Shots filmed on tilts changing from one side to the other.
- Music in background with dialogue above it.
- Loud footsteps in the background but all you see is the shadow of the person making them.
Se7en
- Shots of a book and pages turning cutting to shots of black with white writing (the credits).
- Close-up of a person writing (common technique for thrillers).
- Flash device.
- Weird, creepy and tension music in the background.
- Don't see the face of the person only their hands and fingertips.
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Do any of these ideas trigger a thought about your own approach?
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